Common dancing injuries prevention and production mechanisms
Main Article Content
Abstract
Dance is a form of art that requires of a big effort from those who practise it, as it makes use of very extreme body movements. The aim of this work is to get to know, through a bibliographic revision of the existing literature in this field, the different techniques and approaches that can be applied to prevent the most frequent mechanic injuries in dance, such as sprains, muscular breaks, fractures and sinew injuries mainly produced in ankles, knees, feet and back. The information was collected from scientific databases, such as PubMed, PeDro, Elsevier and other secondary sources. The keywords both in Spanish and English were: “baile”, “lesión”, “prevención”, “prevalencia”, “flamenco”, “danza”, “dance”, “injury”, “prevention”, “prevalence”, “common”, “frequent”, “lession”, “flamenco” and “ballet”. The majority of injuries occur in the lower extremities and are often related to muscular overload or weakness, rather than traumatisms. These injuries are commonly produced by a lack of technique or a wrong application of it, or even sometimes by the bad fitting-out of the room where the activity is being practised.
Downloads
Article Details
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
NonCommercial — You may not use the material for commercial purposes.
NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License
References
Albisetti W., Perugia D., De Bartolomeo O., Tagliabue L., Camerucci E., Calori GM. (2010). Stress fractures of the base of the metatarsal bones in young trainee ballet dancers. International Orthopaedics, 34(1), 5-51.
Bowling, A.(1989). Injuries to dancers: prevalence, treatment, and perceptions of causes. British Medical Journal, 298(6675), 4-731.
Castilla-Cubero JL, Jiménez-Sarmiento AS. (2011) Aspectos generales sobre el dolor osteomuscular en el baile flamenco. Rehabilitación, 45(2), 117-121.
Castillo JM, Munuera PV, Domínguez G, Salti N, Algaba C. (2013). Prevalencia del juanete de sastre y quinto dedo adducto varo en el baile flamenco profesional. Revista Científica del Centro de Investigación Flamenco Telethusa, 6(7), 13-18.
Coltart W.D., M.B., F.R.C.S.(1951). Refresher course for general practitioners “Sprained ankle”. British Medical Journal, 657-961.
Echegoyen S, Aoyama T, Rodríguez C. (2013) Zapateado Technique as an Injury Risk in Mexican Folkloric and Spanish Dance. Medical Problems of Performing Artists, 1-4.
Freese, J. (2006). Fitness terapeútico. 1st ed. Badalona: Paidotribo.
Gómez Martínez, M. (2012). Manual de anatomía y biomecánica aplicada a la danza. Murcia: DM.
Howse, J. (2011). Técnica de la danza. Barcelona: Paidotribo.
Kulig K, Loudon JK, Popovich JM, Pollard CD, Winder BR. (2011). Dancers With Achilles Tendinopathy Demonstrate Altered Lower Extremity Takeoff kinematics. Journal of Orthopaedic and Sports Physical Therapy, 41(8), 606-613.
Robertson I. (1967). Injuries of the leg in football and ballet. Journal of the Royal Society of Medicine, 60(6), 530-532.
Steinberg N, Siev-Ner I, Peleg S, Dar G, Masharawi Y, Zeev A, Hershkovitz I. (2013). Injuries in Female Dancers Aged 8 to 16 Years. Journal of Athletic Training, 48(1), 118–123.
Tixa S. (2006). Atlas de anatomía palpatoria. 2nd ed. Barcelona: Elsevier.
Wainwright SP, Williams C, Turner BS. (2005). Fractured identities: injury and the balletic body. Health, 9(1), 49-66.